Wednesday, April 23, 2008

Springsteen, Band Find Tonic To Tragedy

By CURTIS ROSS
The Tampa Tribune
Published: April 23, 2008
Updated: 12:22 am



Tribune photo by KELVIN MA
Bruce Springsteen and the E Street Band played their first show since the death Thursday of longtime keyboardist Danny Federici, Tuesday at the St. Pete Times Forum.


TAMPA - Somewhere, Danny is smiling.

Bruce Springsteen and the E Street Band played their first show since the death Thursday of longtime keyboardist Danny Federici, Tuesday at the St. Pete Times Forum. If Springsteen generally plays as if his life depends on it, Tuesday night he played as if his soul and those of everyone in the arena were at stake.

The show began with a video tribute to Federici, who played with Springsteen for 40 years, beginning in pre-E Street outfits such as Steel Mill.

Then, as pianist Roy Bittan played the introduction to "Backstreets," a spotlight shone on an unmanned Hammond organ and accordion, Federici's instruments, a silent expression of the band's loss.

The rest of those expressions were anything but quiet.

Springsteen howled the chorus of "Backstreets" with as much passion as he did in 1975. Max Weinberg pounded his kit so hard it seemed close to tumbling - or disintegrating. The whole band played with an intensity that seemed impossible to sustain for the length of the show.

But they did.

Springsteen and band stormed through the early part of the set with no let-up. Weinberg kept the pulse going as guitars were swapped between songs. "No Surrender" was especially moving, with guitarist Steve Van Zandt joining Springsteen at the microphone. The two ended "Gypsy Biker" with a stinging guitar duel.

Finally pausing, Springsteen offered thanks for "prayers and condolences for Danny," then told the band, "We better get this right. Somebody's watching."

With Bittan on accordion, they launched into the sad, sweet "Sandy (Fourth of July Asbury Park)," evoking the early days of Springsteen's and Federici's musical life playing clubs along the New Jersey shore.

Springsteen told the crowd of 16,332 that the song's fortuneteller, Madame Marie, might be a Florida resident now. Then, he announced, "one more fairy tale," and delivered "Growin' Up" with more youthful vigor than a man on the downside of 50 should have.

There were so many highlights - "Atlantic City," "Because the Night," "She's the One" - but the show's emotional centerpiece came with the pairing of "Racing in the Street" and "The Rising."

The former song is one of Springsteen's most desolate, the cold flipside to "Born to Run," about finding out you're not that young anymore and maybe there's nowhere to run.

The song is so devastating as to make any attempt at levity seem a lie. "The Rising," then, was the perfect tonic, a song about demanding life - joy, even - in the face of tragedy. If every song seemed to have special resonance given the circumstances, this one may have had the most of all.

The encore began with a stirring rendition of the gospel hymn "I'll Fly Away," followed by "Rosalita," "Born to Run" and "Tenth Avenue Freeze-Out," a trio guaranteed to send any Bruce fan into spasms of sheer joy.



[CHRIS ZUPPA | Times]
Bruce Springsteen and Steve Van Zandt blaze through their set Tuesday at the St. Pete Times Forum. Starting the night with a tribute to Danny Federici, Springsteen and his band thrilled with new songs and old favorites.


SPRINGSTEEN PLAYS SET FULL OF FEELING AND FURY

By Sean Daly, St. Petersburg Times Pop Music Critic
Published Tuesday, April 22, 2008 11:49 PM

TAMPA — Bruce Springsteen and the E Street Band just don't lose fights to Father Time. For four decades, it's always been a mismatch.

From epic concerts that rumbled on with disregard for deadlines to thunderous anthems about thumbing your nose at destiny, the Jersey-born brotherhood is inherently built to push, and punish, the boundaries of the clock.

But last week, Father Time — with his tin ear for the youthful urges of rock 'n' roll — landed a sucker punch, as longtime E Street stalwart Danny Federici, 58, died from melanoma. As well as being the group's organist, keyboardist and accordion player, Federici had been friends with Springsteen for 40 years. Bruce called his pal "the Phantom," quiet, crafty, cunning.

Tuesday at the St. Pete Times Forum, the Boss and his band, who postponed three Florida dates to deal with the loss, staged their first show since Federici's death. (The Tampa night was first scheduled for Monday.)

But if you thought the Blue-Collar Bard would respond with a long, sad see-ya-later — no way. For more than 2 1/2 hours, they rocked and remembered in front of 16,332 fans fully aware of the emotional undercurrent.

With house and stage lights dark, the band took the stage, familiar shadows walking to the well-worn spots they've worked for years.

"This night is a special one," said the somber voice of the Boss. "So we'd like to start with something for Danny."

With that, a video tribute unspooled onscreen as a recorded version of acoustic homage "Blood Brothers" played. With a spotlight illuminating Danny's longtime workplace, the band then launched into a crescendoing, cathartic "Backstreets", with its notable refrain of "You swore we'd live forever."

That's the way the night went, the wistful giving way to the robust. Springsteen referenced his late friend several times, including "4th of July, Asbury Park (Sandy)", which was always Federici's time to shine on the accordion. On this night, piano man Roy Bittan took the squeezebox, as a bemused Springsteen noted, "Somebody's watching." That was followed by what Springsteen called "another fairy tale," the jubilant "Growin' Up".

For all the emotion, the night's most memorable songs were the rockers, songs in which your pounding fist acted independently: "Radio Nowhere" and "Gypsy Biker", from the 2007 album Magic. "Because the Night", with its fiendish guitar solo from Nils Lofgren. The tent-revival fun of "She's the One". The defiant blasts of "No Surrender" and "Long Walk Home".

Springsteen, always eager to ruffle the lapels of the powers-that-be, kept the speechifying to a minium. After a quick tsk-tsk to the Bush administration, he threaded a series of songs together about the shaky state of the union: "Livin' in the Future", "The Promised Land", "Waitin' on a Sunny Day".

The set built to a resounding, resilient wallop, especially fan fave "Badlands", in which the Big Man, Clarence Clemons, hobbled to the forefront and blew a big, fat sax solo that jolted the joint. That was followed by the chiming joy of "Out in the Street".

"This one's for Dan," Springsteen said at the start of the encore, as the band roots-rocked an acoustic cover of gospel hymn "I'll Fly Away" ("Some bright morning when this life is over, I'll fly away.")

On this tour, Springsteen has been reaching into the crowd each night to grab signs with song requests. Tampa just about blew its top for the night's winner: "Rosalita". The rambling, rollicking song, considered by many the queen in the canon, showcased a band still intent on raging into the night.

And, well, they did.

Rosalita eventually morphed into "Born to Run". And that turned into "Tenth Avenue Freeze-Out". Wow. Just . . . wow. Bruce Springsteen and the E Street Band just kept playing, as if they had all the time in the world.

Sean Daly can be reached at sdaly@sptimes.com or (727) 893-8467. His Pop Life blog is at blogs.tampabay.com/popmusic.

[Last modified Wednesday, April 23, 2008 7:09 AM]




Clarence Clemons and Danny Federici's unmanned organ riser.

Setlist:
Backstreets
Radio Nowhere
Lonesome Day
No Surrender
Gypsy Biker
4th of July, Asbury Park (Sandy)
Growin' Up
Atlantic City
Because the Night
Darkness on the Edge of Town
She's the One
Livin' in the Future
The Promised Land
Waitin' on a Sunny Day
Brilliant Disguise
Racing in the Street
The Rising
Last to Die
Long Walk Home
Badlands
Out in the Street
* * *
I'll Fly Away
Rosalita
Born to Run
Tenth Avenue Freeze-out
American Land

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